The 2021 Triennial builds on its two predecessors, whilst simultaneously taking us off in a different direction. The 2015 Triennial considered the hypothetical transformation of Bruges into a megalopolis, if the six million tourists who visit Bruges each year should suddenly decide to settle there permanently. The 2018 Triennial examined aspects of the ‘liquid society’ and created welcoming public spaces that had a pronounced social and participatory character on or along the canals.

This third edition of the Bruges Triennial, TraumA, continues that exploration of contemporary art and architecture in public spaces, but this time from a more inward, subcutaneous perspective: What is going on behind those stately facades? How is the mediaeval city actually being experienced and lived in?

International artists and architects have been invited to explore (semi) public and private spaces across Bruges and to question the hidden aspects of society. Back doors are opened and alleys investigated. Interspaces, courtyards and construction sites form a trail of surprise and wonder and give us a glimpse behind otherwise impenetrable walls.